From Chapter 2:
The satirical Dekker might class "tobacconists" with "feather-makers, cobweb-lawne-weavers, perfumers, young country gentlemen and fools," but he bears invaluable witness to the devotion of the fashionable men of the day to the "costlye and gentleman-like Smoak."

It was customary for a man to carry a case of pipes about with him. In a play of 1609 ("Everie Woman in her Humour") there is an inventory of the contents of a gentleman's pocket, with a value given for each item, which displays certainly a curious assortment of articles. First comes a brush and comb worth fivepence, and next a looking-glass worth three halfpence. With these aids to vanity are a case of tobacco-pipes valued at fourpence, half an ounce of tobacco valued at sixpence, and three pence in coin, or, as it is quaintly worded, "in money and golde." Satirists of course made fun of the smoker's pocketful of apparatus. A pamphleteer of 1609 says: "I behelde pipes in his pocket; now he draweth forth his tinder-box and his touchwood, and falleth to his tacklings; sure his throat is on fire, the smoke flyeth so fast from his mouth."

From Chapter 8:
Johnstone, Parr's biographer, referring to his hero's failure to obtain preferment to the Episcopal Bench about the year 1804, says—"His pipe might be deemed in these fantastic days a degradation at the table of the palace or the castle; but his noble hospitality, combined with his habits of sobriety, whether tobacco fumigated his table or not, would have filled his hall with the learned and the good." A portrait of Parr hangs in the Combination Room in St. John's, Cambridge. Originally it represented him faithfully with a long clay between hand and mouth; but for some unknown reason the pipe has been painted out.